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While the stereotype presented by the Egyptian cinema on Upper Egypt, with confirmation that the option of Arafa and his successor, the scriptwriter Mohamed Diab, provided that the “Al -Jazeera” in Upper Egypt comes based on this image, which is reinforced by what was rumored about the film that it is taken from the story of Al -Saidi Ezzat Hanafi The Egyptian police fell out and finally died at the hands of their elements. Family, in addition to a legendary championship, a sad love story, and the result is a tight and guaranteed drama, while relying on a distinguished and special performance for Mahmoud Yassin, who played the role of Mansour’s father (Ahmed El Sakka) and the leader and founder of all the glory that he will inherit for his son. The movie “Al -Jazeera” begins with the news of cutting the road group on the level The intensive care room, and his son -in -law, Brigadier Rushdie (Khaled Al -Sawy) is a senior officer in Upper Egypt. Tariq realizes that everything that happens and what will happen is in the hands of Mansour, the legend who is able to do everything without there being anything that he condemns, and that the “Al -Jazeera” area is a boycott that owns it with its land, its ove, its weapon, its men, its women, and everything that is destroyed on it. The film returns to 10 years ago from the coming of the officer Tariq, and we get to know the world of the island, which is at the time under the authority, might and justice of Mansour’s father, and who suddenly declares that he will inherit the opium kingdom that he rules to him, which surprises all the tribes loyal to him, and even his uncle Hassan ( In the name of Samra), but we discover that Mansour has this inheritance, this is in terms of physical strength and so on, and above that he is educated as his father always emphasizes. As soon as his father dies, one of the clans who refused to pledge allegiance to the killing of his mother and his wife came to the killing of his mother and his wife. To fulfill the kinship of leadership. Many discoveries made by the film regarding Mansour’s relationship with the police, with Brigadier Rushdie, and the mutual benefits between them, which extends to know that Tariq’s father himself was so with Mansour’s father, without the matter without continuous insistence on strengthening the legend of Mansour and his superficial capabilities From the hands of those who lie in wait for him, and to clarify the extent of the absence of mercy in his heart with his tenderness, his love for a cream, his brother Al -Akhras, and other human aspects. The end of the film falls under the dictates of the inflation of Mansour’s power, and turned it into a ghoul who has no rad, and thus the reaction that he will find from the government when he screams with the loudest voice “I am the government.” “Al -Jazeera” succeeds in preventing the viewer from saying that it is taken from the film of the American cinema, not because it did not, but rather because it took from all the films of that cinema that dealt with the mafia, its worlds and behaviors, while finding a cover for him to stick to an Egyptian environment that is tightened by the director, with the imposition Ahmed El -Sakka is a hero crowned on the throne of “action”, and in modern clothes that he only replaced by limited times, so how does he do, “Van Dam”, the Arabs? |
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